All Joseph Wright's oil paintings
ID Image  Oil Pantings, Sorted from A to Z     Other Information
71492  
Joseph Wright, A Philosopher Lecturing with a Mechanical Planetary
  		A Philosopher Lecturing with a Mechanical Planetary Date 1766 Medium Oil on canvas Dimensions 147,3 x 203,2 cm
40587  
Joseph Wright, An Experiment on a Bird in the Air Pump
  		An Experiment on a Bird in the Air Pump mk156 1768 Oil on canvas 183x244cm
56133  
Joseph Wright, experiment with a bird in an air pump
  		experiment with a bird in an air pump mk247 1768,oil on canvas,72x94.5 in,183x244 cm,national gallery,london,uk
665  
Joseph Wright, Experiment with the Air-Pump
  		Experiment with the Air-Pump 1768 Tate Gallery, London
56902  
Joseph Wright, Instrument of the solar system
  		Instrument of the solar system mk250 AD 1763 - 1765 years. Oil painting, 147.32 x 203.2 cm. Derby Museum and Art Gallery.
32053  
Joseph Wright, John Coats Browne
  		John Coats Browne mk77 c.1784 Oil on canvas 61 3/8x42 7/8in
43306  
Joseph Wright, Mr.and Mrs.Thomas Coltman
  		Mr.and Mrs.Thomas Coltman mk170 1770-1772 Oil on canvas 127x101.6cm
39727  
Joseph Wright, Portrait of the Reverend Basil Bury Beridge
  		Portrait of the Reverend Basil Bury Beridge mk150 c.1780/90 127x101cm
22788  
Joseph Wright, The Experiment with the Aipump (mk22)
  		The Experiment with the Aipump (mk22) 1768 Oil on canvas,183 x 244 cm London,National Gallery
663  
Joseph Wright, The Forge
  		The Forge 1772
20948  
Joseph Wright, View of the Lake of Nemi at Sunset (mk05)
  		View of the Lake of Nemi at Sunset (mk05) Canvas 41 1/4 x 50 1/2''(105 x 128 cm)Acquired in 1970 R.F 1970-52 (S/AR)
79458  
Joseph Wright, Wright of Derby, Academy
  		Wright of Derby, Academy Wright of Derby, Academy by Lamplight cyf
Joseph Wright
1734-1797 British Joseph Wright Gallery English painter. He painted portraits, landscapes and subjects from literature, but his most original and enduringly celebrated works are a few which reflect the philosophical and technological preoccupations of the later 18th century and are characterized by striking effects of artificial light. He was the first major English painter to work outside the capital all his life: apart from spells in Liverpool (1768-71), Italy (1773-5) and Bath (1775-7), he lived and worked in his native Derby, though exhibiting in London at both the Society of Artists (1765-76, 1791) and the Royal Academy (1778-82, 1789-90, 1794



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